by Minna on Saturday, 16 July 2011. | 
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The residency program is now open to the public starting today July 16th. Weekend hours at Strathmore are different from regular working hours, in case you plan on visiting, please call ahead of time.
The opening for the show is on July 22nd from 7:00pm – 9:00pm, stop by and take a peek at the work! Some photos of the installation process below:
by Minna on Wednesday, 15 June 2011. | No Comments |
Still have a few more drawings to finish, but nearing the end of making drawings for this particular installation for the residency. Above is an image where I have photoshoped the drawings into a photograph of the window panel that I will be installing my works on.
by Minna on Friday, 20 May 2011. | 2 Comments |
At resident musician Ted Garber’s CD release party, the resident visual artists at Strathmore, contributed by exhibiting some of their works from the past and some current work. The installation work out of orange fencing is by Wilmer Wilson IV.
by Minna on Wednesday, 27 April 2011. | No Comments |
“A melodic fragment, heard alone, makes a particular impression; but when the fragment is heard simultaneously with other melodic ideas, or combined in unexpected ways with itself (as in a canon or fugue), greater depths of affective meaning are revealed. Through development of a musical idea, the fragments undergo a working out into something musically greater than the sum of the parts, something conceptually more profound than a single pleasing melody.”
by Minna on Wednesday, 13 April 2011. | No Comments |
A study on making multiples of an image by tracing. Each drawing is different from the other. Certain basic criteria are imposed on the process, such as materials: Black ink, blue transfer paper and watercolor paper.
The process reveals natural limits for the number of ways one thing can be duplicated, given the imposed criteria. The process begins with an image from memory – which is deferred from the original subject of choice as such. Every tracing made out of this deferred image then, is further removed; differing in meaning and constitution. Both form and process of formation are evident.
